Confluences (2025) an exhibition curated by Rebecca Scott, explores the influences and creative dialogues between Cross Lane Projects’ co-director Mark Woods and the artists who have intersected with his life and practice in London and Cumbria. The catalogue features works by Mark Woods, Jim Whiting, Stella Whalley, Gavin Turk, Rebecca Scott, Lawson Oyekan, Michael Petry, Julia Maddison, Lee Holden, Cathy de Monchaux, Helen Chadwick, Cedric Christie, Louise Bourgeois, Jim Bond, Sooz Belnavis, Atty Bax and Vanya Balogh.
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Strange Gaze: Surrealism at Cross Lane Projects (2024) includes works by Emily Allchurch, Hans Bellmer, Dan Coombs, Emma Cousin, Mark Fairnington, Ian Frith Powell, Martin Greenland, Dereck Harris, Denise Hawrysio, Mike Healey, James Mackie, Bex Massey, Pascal Rousson, Rebecca Scott, Perdita Sinclair, and Suzy Willey. The publication features original texts by Glenn Ward, Peter Suchin and Mike Healey.
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Landscape of the Gods (2023) is the second in the Cross Lane Projects exhibition catalogue series. It brings together works by Julian Cooper, Mark Fairnington, Alex Giles, Martin Greenland, Lee Maezler, Bex Massey, Michael Petry, Alun Williams and Rebecca Scott.
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High on Hope (2022) was published to accompany the exhibition of the same name in Kendal, UK. The catalogue features works by Mark Fairnington, Roy Holt, Gerard Hemsworth, Rebecca Scott, Michael Stubbs, Bob and Roberta Smith, Jessica Voorsanger, Mark Wallinger, and Suzy Willey, with original texts by Julien Delagrange, Daniel Sturgis and Mo Throp.
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Publication design, typesetting and print-production management by Emily Benton Book Design.